How do you select the artists and exhibitions featured at Te Uru? What is your curatorial process?
We are led by the strategic plan, set by Te Uru’s Governance Committee, this document helped our team to develop a strategy for programming. I will sit down with our curatorial team and we use this strategy to guide our planning. With four floors of gallery space available - we always have a diverse range of exhibitions on simultaneously and like to think that our programme has something for everyone. Our programme is dynamic, diverse and adds to a wider discourse.
Can you discuss a particular piece or exhibition that has had a significant impact on you?
In a recent exhibition titled underfoot, curated by James Gatt we loaned a work from the Govett Brewster collection by artist D Harding titled 'We breathe together'. This work haunts me still - it was so powerful. The artist had used a traditional Aboriginal technique to blow earth pigments onto glass. In total there were 12 sheets of glass covered in pigment hung in a row. Within the ochre hues of earth pigment was one bright blue panel that the artist had blown Rickets Blue (laundry powder). The toxic practice of using Rickets Blue in this traditional way is a powerful statement on the effects of colonialism.